Friday, May 29, 2015

Travel Journal: Cape Cod, MA

Memorial Day Weekend presented us with an opportunity to brave the crowds on Cape Cod and check out some of the places I've already blogged about here. We were able to visit the Aptucxet Trading Post Museum in Bourne and the Old Indian Meeting House in Mashpee. I was very sad that the Mashpee Wampanoag Indian Museum hasn't reopened for the summer after the renovation they did this past winter. They are planning a big Opening Day on June 3rd. I'll have to see if I can get back down there this summer.

Getting out onto Cape Cod by car is usually a trial as there are only two bridges over the Cape Cod Canal, the Sagamore Bridge to the north near Sandwich, MA, and the Bourne Bridge to the south between Buzzard's Bay and Bourne, MA. Most people take the Sagamore because it's on the expressway from Boston straight onto the Mid-Cape Highway (US Hwy 6), but because we were headed to Aptucxet first, we went south to Bourne. We were traveling on a holiday weekend so there should have been terrible traffic, although Memorial Day is a bit off-peak (July and August) and the weather wasn't very hot for day tripping beach-goers. We weren't sure quite what to expect, but we prepared for the worst and there was no traffic at all Saturday at mid-day. We zipped right across the Bourne Bridge, no problem. Lady Luck smiled on us!




The Aptucxet Trading Post Museum is just over the bridge and through the town center of Bourne, backing up to the Canal. In fact, it is possible to enter the property from the the Canal Bikeway and skip the town-side parking lot and the property's quirky collection of other buildings. Besides the historic trading post, there is a Dutch windmill which contains an art gallery, the old Sagamore Information Booth which was relocated here and is now the gift shop/ticket booth, and Grover Cleveland's personal train station for his Bourne summer home, Grey Gables.



But we came to see the trading post, so we hurried past towards the back of the property. The Plimoth Colony sent two men down the coast to this location on the Cape's south side to establish a trade house with both the Native people and the Dutch traders from New Amsterdam. They hoped to make enough money from trade in local natural resources like furs to pay off the debt they owed to their corporate backers. The Wampanoag Indians introduced the pilgrims to wampum, their quahog shell beads, which were adopted by the traders as the first local legal tender in the American colonies.



The current building is a replica, but it was built on the original surviving 1627 stone foundation which you can see in the basement. Much of the "replica" building is made from wood salvaged from another 17th-century house, and the exposed beams, wide plank floors, and salt grass insulation displayed in a cut-out of the old plaster wall are amazing to see.


The site administrator, Carol Wynne, who is Wampanoag herself, gave a us a kid-appropriate tour of the property, answered questions, and showed our six- and eight-year-old daughters all kinds of neat things around the trading post. She had beaver and otter pelts for the kids to touch and explained about how the pilgrims and their English clients preferred beaver pelts the Native people had already used because the scratchier outer hairs were worn off and the short undercoat and broken-in hide were softer. Ms. Wynne also showed the girls a ball made of leather and stuffed with deer fur and a traditional game made with deer bones and string where you try to catch bone rings on a stick. She showed us the gardens where they are growing traditional Native crops (the three sisters, Jerusalem artichokes, etc.) and local wildflowers alongside kitchen and medicinal herbs like sassafras for stomach aches.

This sign was an interesting piece: it clearly attempts to celebrate Native participants at the trade house, and it does use their real names (Ousamequin instead of Massasoit, Iyanough instead of Hyannis, Nope instead of Martha's Vineyard), but then it says, "Wetamo. Squaw Sachem of Pokanoket. Consort of Wamsutta, An American queen who later bravely met inevitable defeat" and "Iyanough. 'Indeed not like a savage save for his attire.'" A relic I guess, but it's not quite the complimentary citation it's trying to be. It was important to read their names, though, and see their personal marks.

The museum contains display cases of artifacts dug up around the old foundation during an archaeological excavation in the 1920's. We had a look at the small collection of deer bone tools, Dutch ceramic pipes and kitchen ware, and old panes of the diamond-patterned colonial leaded-glass windows. There was also a small display of the plants and animals the Wampanoag hunted and gathered in the area - and introduced to the English - during the four different seasons. Ms. Wynne showed us some Wampanoag pump drills and explained how they made the labor-intensive wampum beads from clam shells.





Our next stop was up Highway 28 in Mashpee, where we stopped to see the Old Indian Meeting House. It's a working Wampanoag tribal meeting house, so it was closed to visitors, but we were able to walk around and have a look from the outside.


Originally built in 1684 on the site of an even older Mashpee church (1670), the Old Indian Meeting House or Old Indian Church is the oldest Native American church in the Eastern US and the oldest church on Cape Cod. It's so old that it was moved to it's current plot from other location and remodeled in 1717!

Mashpee was one of the colonial era "Praying Towns." The Pilgrim settlers began a campaign to convert the local Native people to Christianity beginning around 1646. The towns required Native people who lived there to assimilate to European lifestyle as well as religion, but they did offer a certain amount of political self-determination, protection, and community, although that independence was slowly eroded over time. In 1833, the Meeting House became the central hub of the Mashpee Revolt led by Reverend William Apess (who was Pequot and a Methodist minister), as a protest against white intrusion on tribal land and governance.


Even though it is a reminder of the complicated relationship between Native tribes and Christianity, it has functioned as a church, a gathering place, a school, and a burying ground for the tribe for more than 300 years. On Memorial Day weekend, the burying ground around the Meeting House was decorated with flags on the military graves - a testament to large number of Native veterans that have served in the US Armed Forces.


The tribe recently renovated it, and it looks amazing. Even through the long, narrow windows, you can see the beautiful exposed beams inside. It would be a gorgeous spot for a wedding!

And because it is Cape Cod, we hit some beaches (even though we had to wear our fleece jackets), ate tons of fried seafood (we liked Fresh Ketch in Hyannis and the Fish Pier Market in Chatham) and way too much salt water taffy, and rode two different carousels. It would be amazing to be there in high summer when the beaches are inviting, but I'm not sure I could stand the crowds.

"Welcome to Hyannis 'Have a Fun Day!'"

Kalmus Beach, Hyannis

Dunbar Point, Hyannis

Kandy Korner, Hyannis

Heritage Museums & Gardens, Sandwich

Chatham Lighthouse Beach, Chatham

Chatham Lighthouse and US Coast Guard Station

There's still plenty to do. On future trips, I hope to finally get over to see the Mashpee Wampanoag Indian Museum in Mashpee. We also didn't have time to take the ferries out to Noepe (Martha's Vineyard) and Nantucket to visit the Aquinnah Wampanoag destinations out there. Additionally, this summer 2015, the Pilgrim Monument Provincetown Museum is holding a special video exhibition called "Captured 1614: Our Story - A Wampanoag History" about the kidnapping of 27 Native men (including Squanto) who were sold into slavery in Spain.

Friday, May 22, 2015

Aptucxet Trading Post Museum


Name: Aptucxet Trading Post Museum
Tribe: Mashpee Wampanoag
Location: 24 Aptucxet Road, Bourne, MA 02532
Type: Historic site
Visiting Info: open Memorial Day through Columbus Day weekends, 11am to 3pm (4pm in July/August), Tues-Sat. Closed Sunday and Monday. Admission $2-$10.
Contact: Website, telephone 508-759-9487

While there is some debate about the exact history of the site, the Aptucxet Trading Post is believed to be the first post built to facilitate trade between the English pilgrims, the local Native tribes, and the Dutch settlers of New Amsterdam.

The current building is a replica constructed over the top of the original foundation, which was excavated by archaeologists in the 1920's. The stone foundation is said to date back to 1627.

The site is historically important because it would have been the first place that English pilgrims were able to buy supplies that were not imported from Europe by their parent company and an early place for them to acquire goods they needed to pay off their debts to their corporate backers. The Wampanoag people introduced wampum - a traditional trade good made from quahog shells - which was adopted by the settlers as the standard local currency.

The grounds around the museum include a Wampanoag Garden where they grow native plants such as squash, beans, corn, sunflowers, Jerusalem artichokes, gourds, and tobacco. There is also a kitchen garden of herbs and medicinal plants and a wildflower garden.

Other features of the quirky collection of buildings onsite include a replica windmill and salt works, both of which were important structures at the Cape's colonial settlements, and Grover Cleveland's personal train station for his summer home in Bourne, Grey Gables.

Tickets are purchased at the Sagamore Information Booth Gift Shop at the entrance to the site near the parking lot.



Resources:

Wednesday, May 20, 2015

Cahokia Mounds State Historic Site

photo credit: Ira Block, National Geographic Creative

Name: Cahokia Mounds State Historic Site
Tribe: Pre-Columbian Mississippian Culture
Location: Collinsville, IL
Type: UNESCO World Heritage Site, National Historic Landmark, Museum
Visiting Info: Open year-round, Grounds: 8am - dusk, Interpretive Center: varies by season, Free admission with suggested donation of $2 - $15.
Contact: Website, telephone 618-257-3441

More than 1,000 years ago, a city of about 15,000 indigenous people rose up above the central plains near the Mississippi River. With over six square miles of mounds and temples, agricultural fields and homes, it was an urban hub of the vast trading network of the Mississippian people that lived on this land before European contact.

Archaeologists and historians call it Cahokia, and it was probably the largest and most influential Mississippian community. Today it is the most complex archaeological site north of the much more famous remains of the pre-Columbian empires of Mexico.

The Cahokia Mounds State Historic Site, located just to the east of St. Louis, contains 80 of the more than 120 original mounds, a central plaza for ceremonies and games, a reconstructed woodhenge, remains of stockades and palisades, and a copper workshop.

Painting by William R. Iseminger, from this Cahokia photo gallery

The Interpretive Center displays artifacts, an introductory video presentation, and a recreation of the original village. Exhibits aim to educate the public about the Mississippian culture and the archaeological work that is going on at the site.

Guided and self-guided tours of the mounds and trails are available.



Resources:
Aerial video of Cahokia from chickasaw.tv
IHPA Introductory Video
Mississippian Culture Wikipedia article
National Geographic web article May 19, 2015, "New Evidence May Solve Mystery of America's Huge Ancient City."

Monday, May 18, 2015

Mashantucket Pequot Museum and Research Center

credit: pequotmuseum.org

Name: Mashantucket Pequot Museum and Research Center
Tribe: Mashantucket Pequot Tribal Nation
Location: 110 Pequot Trail, Mashantucket, CT, 06338
Type: Museum, Research Library/Archive
Visiting Info: Opening for the season May 15 (through Nov), Wed-Sat 9am-5pm, Admission $12-$20
Contact: Website, telephone (800) 411-9671

After a five-month hiatus for refurbishment under a new director, the Pequot Museum is open again as of May 15, 2015. The museum is hoping to attract greater attention and more visitors with new programs and partnerships with artists.

In the Farmstead area outside, a group of Wampanoag canoe-builders is working on a 36-foot mish8n ("mishoon," the Wampanoag word for canoe), which will be the longest canoe built in New England in the last 200 years when it is completed in June 2015. Visitors can also see a 400-year-old dugout canoe on display inside the museum's exhibits hall.

The Pequot Café is open with a new menu featuring indigenous selections made from local ingredients sourced when possible from Native vendors.

The museum is also offering free work studio space for local Native artists who would like to become Artists in Residence. (For more information contact: bburrell@pequotmsueum.org, 860-396-6960)

And of course, there is still the original 85,000 square feet of permanent, indoor exhibits, including the Pequot Village, a recreation of a 16th Century Pequot settlement before and after contact with Europeans. The movie theater shows The Witness, a 30-minute film about the attack of the Mystic fort by colonists. The "Life on the Reservation," "The Mashantucket Pequot Tribal Nation Today," and the "Portrait Gallery" areas discuss life for Pequot citizens in Connecticut today and the state of the Tribe since they secured federal recognition in 1983.

On the museum grounds, a 185-foot glass tower provides a view across the surrounding tribal land. There are walking and hiking trails and a self-guided tour through the 1780's-era Pequot Farmstead that discusses traditional tribal foods and medicines growing in the gardens.

Additionally, the Research Center includes collections, a library, a children's library, archives, and archaeology and conservation laboratories.

Friday, May 15, 2015

Article: "Native America Tribes Embrace Tourism"

A recent Men's Journal article, "Native American Tribes Embrace Tourism," explains how tribes around the country are branching out into the tourism industry to diversify their economies, educate outsiders, and reclaim their public images.

The article specifically mentions two Native-owned tour companies:

Monument Valley Simpson's Trailhandler Tours
Diné (Navajo) tour guides provide a variety of trips (Jeep tours, hiking tours, and photography tours) in the Monument Valley, Utah.

and

NDN2rs
An award-winning ethical travel company offering tours in the Great Plains and the Southwest (South Dakota, Montana, Wyoming, Nebraska, Arizona, Utah, Alaska) with a vast array of types of tours at various price points.

Wednesday, May 13, 2015

Tantaquidgeon Museum


Name: Tantaquidgeon Museum
Tribe: Mohegan
Location: 1819 Norwich-New London Turnpike, Uncasville, CT 06382
Type: Museum, Replica Village, Historic Building
Visiting Info: Open April - November, Tues - Friday: 10am - 3pm; Admission is free.
Contact: Website, telephone (860) 848-0594

"It's hard to hate someone who you know a lot about." - motto of Gladys and Harold Tantaquidgeon.

The Tantaquidgeon Museum is the oldest Native-owned and operated museum in the United States. It was founded in 1931 by Gladys, Harold, and John Tantaquidgeon, descendants of the famed chief Uncas of the Mohegan Tribe of Connecticut.

The Tantaquidgeons were leaders within their tribe, and Gladys in particular was raised from an early age to be a tribal herbalist and culture-keeper. She later became an anthropologist, social worker, author, educator, and Native arts and culture advocate. As her bio on the Mohegan tribal website shows, she was inspiring and influential, both as a woman and a Native American, both within her tribe and the US federal government.

Father and brother Harold built the little stone original museum that was begun in 1930 and completed and opened in 1931. The purpose of this little stone room was to house our collection of various artifacts that had been made and used by our people and were scattered about our living quarters here and there so that not only our own people could enjoy them but others as well. Father was disabled at the time, and he had to use a cane, and he was blind in one eye. But according to what my brother said, I guess he handled every one of the granite fieldstones used in the construction of that building. When it was finally completed members of the community and other Mohegans brought in things to put on display. From the beginning, Tantaquidgeon Museum was to be the place where we keep Mohegan treasures. - Gladys Tantaquidgeon (quoted from the Mohegan Tribe website bio)

Today, the museum houses the tribe's collection of Mohegan art and artifacts as well as Gladys' collection of artifacts from the other tribes she worked with around the country over the course of her career. There is also a small village with Mohegan longhouse and roundhouse replicas outside behind the main museum building. Admission is free.

Visitors may also want to see the Mohegan Congregationalist Church just down Church Lane past the museum. Built in 1831 on Mohegan land and renovated from 1997-2002 by the tribe, the church still functions as an active Congregationalist community as well as a tribal gathering place. Services are held every Sunday morning at 9:30 am.


Resources:

Monday, May 11, 2015

Chickasaw Cultural Center

Kochcha' Aabiniili' Amphitheater
(photo from CCC website)

Name: Chickasaw Cultural Center
Tribe: Chickasaw
Location: 867 Cooper Memorial Drive, Sulphur, Oklahoma, 73086
Type: Cultural heritage, art, and event center, traditional food, research archive
Visiting Info: Open year-round; Admission $2-$10, separate theater/combo tickets, free entry to campus shops and gardens
Contact: Website, telephone 580-622-7130

The award-winning Chickasaw Cultural Center opened in 2010 as one of the largest Native American cultural heritage destinations in the country. The 109-acre campus includes gardens, an amphitheater, an exhibit center, a replica tribal village, a movie theater, a café serving traditional cuisine, and a archival research facility. The Center is located a short distance off I-35 in between Oklahoma City and Dallas, so it's a convenient stopover for people who are just travelling through.

The extensive outdoor space includes the Aaholiitobli' Honor Garden, the Kochcha' Aabiniili' amphitheater for cultural events, the Aba' Aanowa' Sky Pavilion, a replica traditional village which hosts cultural and crafts exhibitions, and the Spiral Garden with its presentation of the Three Sisters crops: corn, beans, and squash.

The Aapisa' Art Gallery in the Welcome Center and the Aaittafama' Room next to the Chikasha Poya Exhibits feature revolving collections of Chickasaw art and crafts. As of this post, there is currently a dugout canoe exhibit with an upcoming display of 1700's Beadwork of Southeastern Tribes.

The Chikasha Poya Exhibit Center consists of a variety of interactive historical and cultural presentations. There is an introductory film in a replica council house, a presentation on tribal spirituality, the Removal Corridor experience, and a multimedia stomp dance display.

Next to the 350-seat Anoli' Theater, the Aaimpe' Café offers traditional Chickasaw cuisine, such as pishofa and grape dumplings, as well as typical museum café fare for the unadventurous. There are also two gift shops on the campus.

And if your interests run to the more academic side, the Holisso Center for the Study of Chickasaw History and Culture is a beautiful research library and archive of materials about the Chickasaw tribe and other native tribes from the American Southeast. Genealogical and research help is available by appointment (email archives@chickasaw.net), and Holisso provides some online resource catalogs.

There are tons of ongoing events, workshops, films, demonstrations, celebrations, etc. Check the calendar before you go! There seems to be something for everyone no matter what your interests at the Chickasaw Cultural Center.



Resources:
The Chickasaw Nation
Adventure Road Project
The Chickasaw Nation Video Network
Chickasaw Country

Thursday, May 7, 2015

Article: "Horse Capture: 'Native People Have a Story to Tell - Their Own'

I wanted to share this article by Joe Horse Capture from Indian Country Today, "Horse Capture: 'Native People Have a Story to Tell - Their Own'," because it talks about the relationship between mainstream museums and indigenous nations when it comes to exhibiting tribal cultural materials and art.

Whenever I'm looking at Native artifacts or art in a non-tribally-owned museum, I try to think about how the objects are displayed and described. Is there evidence that the tribe is partnering with the museum or that other Native representatives have been consulted about the collection? Does the museum publicize their efforts to return sacred items to tribes under NAGPRA (the 1990 federal Native American Graves Protection and Repatriation Act)? Does the museum describe Native people as figures of a distant, almost mythological, past or dehumanize them as part of the physical landscape which you might see in some natural history museums? Do they acknowledge that some "art" is actually sacred or that some pieces have a problematic history of having been "collected" without permission?

As this article illustrates, the educational resources for children often reduce Native cultures down to damaging stereotypes. In simplifying exhibits for children, uninformed program designers working without tribal partners can teach kids misleading ideas about Native people.

The article states:

"These “educational” tools do nothing to promote accurate and respectful information about plains Indian art and culture. I believe they do more harm than good by enforcing negative stereotypes and creating an environment where non-Native children are encouraged to play Native American."

The importance of creating actual partnerships when designing exhibits and curating collections can't be overstated. Awareness of these sensitive issues is important for museum visitors as well as museum staff.

"I believe that, if the exhibition organizers had developed a real and meaningful partnership with a Native individual or community, many of these issues with the exhibition and its associated educational resources would have been avoided."

I was proud to note that two given examples of collaborative work with tribal communities came from the University of Oklahoma, my alma mater. I was also interested to see the Peabody Essex Museum in Salem, MA, mentioned for its training program for Native American museum curators. We will have to visit their collections soon.

I've also been looking around online for news articles and information about the Peabody Museum of Archaeology and Ethnography at Harvard University, which is near me and has extensive Native American collections. However, I must admit that when I looked up their website this morning, the first picture at the top was of a child dressed up in a Mayan costume as part of their school programs.

"...non-Native children are encouraged to play Native American," indeed.

Their website does discuss their efforts under NAGPRA, their partnership with the Wampanoag under the Harvard Yard Archaeology Project, and their return of the Kaats' and Brown Bear Totem Pole (Kaats' Xóots Kooteeya) to the Cape Fox Corporation on behalf of the Saanya Kwaan Teikweidi Clan of the Tlingit tribe. They then commissioned a Tlingit artist to carve a new piece for the museum out of the cedar tree given by the tribe in thanks.

These efforts are strong steps in the right direction, but it sounds like they, like most mainstream museums in America, still have a long way to go.

Monday, May 4, 2015

Aquinnah Cultural Trail and Aquinnah Cultural Center


Name: Aquinnah Cultural Trail, including the Aquinnah Cultural Center
Tribe: Wampanoag Tribe of Gay Head (Aquinnah)
Location: Martha's Vineyard (Noepe), Aquinnah Cultural Center: 35 Aquinnah Circle, Aquinnah, Massachusetts, 02535
Visiting Info: Aquinnah Cultural Center is open Wed., Fri., Sat., 11 am - 4 pm, Admission $3-$5.
Contact: Website, telephone 508-645-7900

When most people think of Martha's Vineyard, they imagine rich people in boat shoes and khaki pants embroidered with whales eating lobster dinners by the sea. But the Wampanoag people who live on the island they call Noepe have a different experience to offer visitors. The tribe's website lists special places of interest on a self-guided tour around the island called Wampanoag Way: an Aquinnah Cultural Trail.

The Trail's wide variety of destinations range from the Aquinnah Cliffs, which are the home of Moshup the Giant (from Wampanoag oral history) and a sacred place for the tribe and protected National Historic Landmark, to the Gay Head Community Baptist Church which is on the National Registry of Historic Places, to the shipwreck of "The City of Columbus" at Devil's Bridge, to the Felix Neck Wildlife Sanctuary, to the tribally-owned Alley's General Store in West Tisbury.

The points of interest provide a picture of the tribe's history on the island, cultivating cranberries and cattle, fishing for herring and eels, and whaling. The website tells the stories of many of the island's place names, such as Tashmoo the swift runner, namesake of Tashmoo's Overlook and Lake, the love story of Katama and Mattakesset, and the tale of Moshup throwing a crab into the sea to make the island of Noman's Land which became the home of the sachem Tequenoman. The Trail also depicts the tribe's interactions with English and American settlers and missionaries over the past four centuries, including their harboring of escaped slaves and Quakers at Vineyard Haven.

The Wampanoag people of Massachusetts belong to two federally recognized tribes (and several other state-recognized bands and tribes): the Mashpee Wampanoag on the Cape Cod mainland and the Wampanoag Tribe of Gay Head (Aquinnah) on the island.

Gay Head was the name of the town on the southwest end of Martha's Vineyard until 1997 when the community there, which is home to most of the tribe, voted to change it to its traditional name of Aquinnah. The two place names continue to overlap, although it seems like Aquinnah is slowly taking over.

One of the stops on the Trail is the Aquinnah Cultural Center. The Center is located on the Aquinnah Cliffs in the Edwin Vanderhoop homestead, which was built in the 1890's and restored in 2006. The Center offers tours of the home and its collections. They also host cultural events through the summer months (June-August), including the Annual Feast and Fundraiser and a yearly Native American Artisan's Festival. The Aquinnah Lighthouse is nearby, and the Cultural Center offers a combo admission price.

Transportation to the island and around it is a challenge and the accommodations are expensive, especially in the summer. Ferries carry passengers and cars to the island year-round from several ports up the New England coast, but bringing your own car is pricey and there are fewer tickets. The ferries land on the northeast side of the island, away from Aquinnah, but there is a bus service around the island, taxis, and car and bike rentals. If you go in summer, you will need to get a rental reservation early as they book up fast.



Resources:
Wampanoag Tribe of Gay Head Aquinnah
Aquinnah Cultural Center on Facebook
Gonomad.com article from 2010, "Martha's Vineyard: Homeland of the Wampanoags"
Boston Globe article from June 21, 2014, "The List: Native American-owned businesses on Martha's Vineyard."
Martha's Vineyard Magazine article from July 1, 2013, "Cultural Outpost" (list of native-owned businesses)

Friday, May 1, 2015

Old Indian Meeting House


Name: Old Indian Meeting House or Old Indian Church
Tribe: Mashpee Wampanoag
Location: 410 Meetinghouse Road, Mashpee, Massachusetts, 02649
Type: Historic Building, National Register of Historic Places
Visiting Info: By appointment or seasonal events
Contact: Website, telephone 508-477-0208 x101

A postcard photo of the Church from 1905

Originally built in 1684 on the site of an even older Mashpee church, the Old Indian Meeting House is the oldest Native American church in the Eastern US and the oldest church on Cape Cod. The Mashpee Revolt led by minister William Apess occurred here in 1833. Even though it is a reminder of the complicated relationship between Native tribes and Christianity, it has functioned as a church, a gathering place, a school, and a burying ground for the tribe for more than 300 years.


The Meetinghouse is open for annual events such as Native New Year (May), Ancestor's Day (September), and Native American Thanks Giving (November), hosted by the Old Indian Meeting House Committee of the Mashpee tribe.



Resources:
Mashpee Wampanoag Tribe
Wikipedia article, "Old Indian Meeting House"
Mashpee Enterprise news article from Dec. 2009, "Mashpee Old Indian Meetinghouse Reopened"
Restoration photos at Keenan + Kenny Architects, Ltd., webpage
Cape Cod Times news article from Dec. 2009, "Mashpee tribe reopens meetinghouse"